The Monthly Newsletter of Yellowstone Woodturners
Billings, Montana

May 2017                            Vol. 18, No.5


From the Editor

We have run out of space for our website.  I will be removing files over the next month that are older than 2011.  If you are new to the club or just want to look back at what others have done in the past, Now is the time to do that.  A copy of the website files will be given to the club before I get started.

Those Members who did not attend the business meeting and wish to know the status of the Clubs funds can contact the club Treasurer,  Leona Gipe (406)248-1664.


Think About Turning Today!


The YWT’s officers & Jerry Gipe met at the Southside Senior’s Center Friday, May 5th.

Items discussed:

The agenda of topics for the Dennis Liggett Sept 30 – Oct 1st Symposium will be as follows (but subject to change).

1 – General Twist work (intermediate)

2 – Twisted laminated Goblet (advance)

3 – Multi Axis Canteen (intermediate)

4 – Emerging bowl (advance)

5 – Tips and tricks with a skew (beginner)

6 - - Small hollow form w/ stone inlay (intermediate)

7 – Viking Sunset bowl (texturing/stamping/ & finish technique)(advance)

Our “Super” Brochures (by Jane Kelly) are getting distributed around town. We discussed more for the fair and decided a ½ page (one printed side) handout would be more cost effective (Jane willing!).

Fair plans are moving forward. We will start planning attendance schedules

And getting free passes to let our demonstrators in the gate

Tim Morgan will show up this Wed. with a lathe that the club can lend out to a new member that is just getting started, and wants to take time before buying one. We also have a 2nd lathe (now at past member’s (the Reimann’s) place that can also go out

Another items that we will discuss on Wed. is finding an inexpensive flat screen TV to replace our damaged one when I did not have a key and hauled the trailer to West-end Billings for the decal work.

Doc volunteered to send out requests for door prizes to supply companies.

Any local merchants you can contact who might donate is time well spent.

We continue to go through bandsaw blades. A Thunk-Thunk- Thump-‘Bam”

when Jerry & I were last cutting Box Elder wood Pretzellized the the 1” X 165” blade. Replaced it & kept going. Apparently the blade became a used though out the afternoon as the next time I used the saw for one small cut it was Thump ‘Bam” & a new “petzel”. Still have the 3 new blades the club bought last month; so we need to decide on a cutting day and getting the Box Elder wood out to the members.

A Reminder: Slow down to 15 mph as you enter and leave the Roaring Twenties

Club house area for our meetings. The down below neighbor came up and complained of our dust (even though the wind was in the East!) He has complained to the Roaring Twenties over the years but is unwilling to spend $’s to treat a short section of road. All the same we can take the high (slow) road and try to be good neighbors.

Other reminders:

Bring your Show and tell items

And don’t miss the this meeting as Dan Vanderhoof is going to Demo how he so beautifully colors some of his vessels.

Stan Lambert, Pres.


Meeting Location

Roaring 20’s Auto Club clubhouse, 7400 Grand Avenue.



Minutes (Wednesday April 12, 2017 Meeting)

Officers: Stan, Leona, Tim, Nick

Historian Photographer: Jane Kelly

Call for Guests: We had 3 guests at this meeting, Martin R.'s youngest daughter Heather, Mark Heggen and Ron Hecht who has all ready joined our club.

Cookies By: Nick E.

Health Reports: No new reports. Martin R.'s wife will need to have knee surgery. Best wishes from all of us.

Correspondence: We have some hats and sew on patches with our club's logo for sale. Call Stan L.

Stan L. had a couple jokes for us.

Show and Tell: Any project you like.

Roger H. Brought a 3 tiered tray made from Oak, Mahogany and Poplar combination with aclub mix finish. He also brought several eggs made from all different woods all with

a club mix finish.

Dale M. Brought a bowl made from Box Elder with a club mix finish.

Gary W. Brought a bowl made from Black Walnut and Maple with a linseed oil finish, a lidded box made from Black Walnut and Maple with a linseed oil finish and a bowl made from Maple and Mahogany with a polyurethane finish.

Dr Van Brought several things that he had worked on when he went to a class at Craft Supplies. Some of the projects he worked on were a plate, bud vase, a bowl, Madelyn etc.

Jerry G. Brought a bowl made from Box Elder with a lacquer finish, and several bullet pens made from Box Elder with a CA glue finish.

Stan L. Brought a platter bowl made from Oak with a club mix finish he put in our collection for the “Souper Bowl” fund raiser. He also brought a dish made from Box Elder with added red color and a gold glitter center with a club mix finish, a vase made from Apricot stained color and owl stencil with a club mix finish, 2 chisel handles made from Maple with a club mix finish, a rough turned vase made from Apricot unfinished, a rough turned bowl made from Box Elder unfinished and a bowl made from Bubinga with a inlay ring of glitter and CA glue with a club mix finish.

Ralph P. Brought a bowl made from Box Elder unfinished

Dave T. Brought a bowl with cut outs, kind of wood and finish unknown. He also brought a box made from Apple, finish unknown, and a yo-yo kind of wood and finish unknown.

Tim M. Brought a bowl made from Walnut with a turquoise inlay with a Master Gel finish and 3 pens made from several kinds of Oliver wood as he called it with alternated layers of CA glue and Walnut Oil for a finish.

Next month's challenge: No special challenge, just turn any thing.

Treasurer’s report: All bills are up to date and Jane K. has our brochures finished but with a higher cost then originally thought, they look great.

Gathering Wood: We steal have quit a bit of Box Elder wood to be cut up. Stan asked for a motion to pay him $62.00 for 2 bandsaw blades and a plastic table cloth. There was a motion and seconded, voted and passed.

Stan also mentioned that he would be ordering another 5 gals. of sealant. We have plenty of Silver Maple and Box Elder wood for sale very cheap. If you would like some call Stan.

Soliciting New Members: On going

Open Workshop: Nothing scheduled at this time.

Hands On Workshops: Nothing scheduled. Stan L. said he would talk to George O. about them when he gets back.


2017 Dues are due, they remain at $25.

Stan mentioned that we should look into tree cutting again this year and that we all should keep our eyes and ears open for possibility’s. Stan mentioned that we did make

$1,000.00 last year doing that. Jane K. mentioned she had some one in her neighborhood that is going to have some trees removed. Stan also said that we should

all try to get relationships with tree trimmers.

Stan told us that Dennis Liggett is our demonstrator at our next Symposium. The dates are September 30th and October 1st. Stan is asking for ideas on what we want covered,

if you have any suggestions let Stan know. One was to build canteens. Stan will bring some of Dennis Ligget's flyers to the next meeting.

Jane K. has our brochures finished and they look great, and Stan asked for volunteers for a committee to decide where to and distribute our brochures. Gary W. and Nick E.

volunteered. Stan L. also said he would help. Stan also received the forms from AAW for 50% off to members who would like to join AAW. This would be for people who

never were a member before, and this is good until the end of April. If you would like a form call Stan.

Stan mentioned that he talked to Bill about us being at the Fair this year and he told Stan that he was willing to spend money to make it right for us. We will have a place in

the Sandstone Building for our booth. Stan said that we will be able to have our trailer out in front of the building. Stan also mentioned that we may need to have our own

lockable display cabinet and asked if any of our members have one. If you have one to to loan call Stan.

The pictures of the projects for show and tell that Jane takes, Paul now has on our Web Site. Take a look at them, there great.

High School classes: Jerry G. mentioned that they had 1 student participating in the class.

Grant Status: Dr Van told us that we received a letter from AAW stating that we didn't get the grant at this time but that we could reapply next time.

Dr Van mentioned that we have 11 urns for veterans that Paul S. had made and brought in.

We have a total of 3 bowls for next years “Souper Bowl” so far, you can bring in bowls any time. The more the better.

There is an order list being taken for CA glue that Chris S. will order. He needs at least 9 20 ounce bottles at $20.00 each great price. If you would like a bottle or two call Stan or

Chris. Chris can also get 5 gals. Of alcohol for $80.00 if you would like to try that drying technique.

If you need a new members list call Leona. The updated ones are now finished.


PROGRAM: Ralph T. gave a very interesting talk on Intarsia witch is a raised picture of animals,caricatures, or just scenes by just using different sizes and kinds of wood, kind of like puzzle pieces. He told us you buy patterns of what ever you like and then cut out the pieces according to the patterns. He told us that you do best to trace them out on tracing paper and glue them to your wood, he uses a glue stick. He recommends that you start with an easy pattern. If you would like more information talk to Ralph.

PROGRAM: No program scheduled for next month as of end of meeting.


Cookies sign up:

April - Nick Emslander
May - Dr. Van
June - Dale Molyneaux
July - Jane Kelly
August - Gary Walter


Wanted, For sale, Free 

This is your area,  Email, or phone Paul if you have an item to post here.


A Message From Members


Shop tip from AAW

Clean Up Your Shop

This is my current benchtop (actually slightly tidied by removing the stuff that was going to fall off). The remains of at least two projects are on this benchtop. There may be a third, but I'd have to clean off the top layer to be sure.
The mess and the junk keep me from finding what I'm looking for. That frustrates me, slows me down, and occasionally makes me use the wrong tool because I can't find the right tool. All of that increases the risk I will start bleeding.
Clean up your shop for the New Year! Resolve to keep it that way. You'll be safer and enjoy it more too.
~Harvey Rogers
Portland, Oregon
Safety Officer, Cascade Woodturners Association
Dish-mop sander  
For anyone who has arthritic fingers or has trouble holding small pieces of abrasive, try a dish-mop sander. It can be used on the lather or to sand small boards or edges. Buy an inexpensive dish mop, remove its sponge/scourer pad, and replace that with a piece of high-density foam. I glued self-adhesive hook and loop to the face. Any cloth-backed abrasive can be attached. It is a quick-to-make, effective sanding tool.
~Gary Field, Australia



An Article From More Woodturning

Finishing your turnings

By Fred Holder

Finishing seems to be another one of those things that is special to the individual turner. Each of us seem to develop our own particular finish for our turnings. In the process of arriving at that finish, we may have tried nearly every commercially available finish on the market. What seems to work best for us may not work at all for the fellow down the street. I wish I could give you the magic finish that would eliminate all of your problems. I’m afraid that I cannot do that, I can only give you some ideas based on the finishes that I’ve used and what the results have been for me.

When we talk about finishing a piece we are talking about a whole lot more than applying some lacquer from a spray can to the piece that you’ve just turned. Before we get into this subject too far, I would like to establish what I consider finishing. The finishing of a turned piece involves two stages: (1) smoothing the work by scraping, sanding, burnishing with shavings, etc. and (2) sealing the smoothed surface with a product of some sort, usually a product containing oil or varnish or both.

Wally Dickerman, who belongs to three of the clubs that I belong to, and who has been turning wood for 60 years, produces beautiful, thin-walled vessels that simply shine. Wally says the shine must be put on before the finishing medium or sealer is applied to the wood. He sands to 1200 or finer grits of sandpaper. Then he applies his finish. I understand that Wally may spend an entire day applying the finish to a piece he has turned, and that may be an understatement. Whatever he does it shows in the quality of the finished piece. Wally does what many of us do not do. He makes the wood as smooth as he possibly can before he begins to apply a finish to the wood. In reality, Wally finishes his wood with sandpaper and then seals in the finish.

Personally, I’m a bit lazy. I belong to the, “I hate to sand club.” I keep threatening to buy a sandblaster and start finishing my pieces with a sandblasted finish as do several of the well-known turners. Perhaps, they also belong to the “I hate to sand club.”

For a long time, I started with about 100 or 120 grit paper and sanded down to 220 or 240 grit and then quit. (I’ve moved on to 400 and sometimes 600 grits in the last couple of years.) I rubbed on some oil and let it go at that, and sometimes applied some wax over the oil. This finish never did shine. However, if the item is to be used, say as a salad bowl, it shouldn’t shine. It should be treated with an oil that can be used occasionally to renew the finish by the owner. There are a number of different ideas here. Some turners recommend mineral oil. Others recommend cooking oils such as olive oil, peanut oil, etc. Some turners use linseed oil or Danish oil. I personally use peanut oil on many of my kitchen items. I’ve also used a commercial mixture of nut oils called, “Preserve,” that I like very well. Preserve dries within about 24 hours, whereas many of the other oils never really dry or they take several days to dry, which can be a pain. Any item finished with oil will need to be refreshed occasionally. You should advise your customer about the type of oil to use to refresh the piece after washing or simply after a good deal of time has gone past. Before we start applying oil, we need to finish the wood and prepare it for stage 2, application of the sealer.

Making it Smooth

I realize that quite a number of prominent turners these days are doing things different from “making it smooth” when they finish a turning. Some of them are sand blasting, stippling, grooving, etc., but for the most part, the average turner is “making their work as smooth as they can.” For most of us this means sanding with progressively finer sandpaper up to 240 to 600 grit and maybe a little burnishing with a hand full of shavings.

Jim Hume, who belongs to some of the same clubs that I do, is an artist that creates beautiful pieces. I once ask Jim how fine of sandpaper he uses. He replied, “I don’t use sandpaper at all, it dulls the carving tools.” Jim uses the lathe to make things round and then he finishes them by carving and hand scraping with cabinet scrapers or other means, but never uses sandpaper. It is not uncommon for him to spend 100 to 300 hours on one of his pieces. The end result shows.

Again, most of us are going to use sandpaper. In his book, “Turning Wood,” Richard Raffan recommends sanding with hand held sandpaper from 120 grit down to 240 grit. He indicates that for most of the work that he does, work intended for use, that 240 grit is fine enough. I believe that most of the production turners; i.e., people who make a living from their turning, do not sand much below 240 grit. People aren’t going to pay for pieces that you have put that extra time in to sand down to 600, 800, or 1200 grit on the general market. If you are selling in galleries, that may be a different thing, but I’ve read many places that no woodturner makes a living off of his gallery sales. They are nice supplementary income, but the groceries and rent come from the production work, the salad bowls, the spurtles, the scoops, tops, and architectural pieces such as spindles, newel posts, etc.

In one of his videos, Richard Raffan points out that you can sand an item in much less time with a rotary sander mounted in a drill motor that has replaceable disks with different levels of grit. I never did buy one of the kind that uses or Velcro Fastener type. My first one was a two-inch diameter unit with about a 3/4" foam backing. I’ve worn out several of these and lots of sanding disks. I generally keep disks on hand from about 60 grit to 400 grit. These are available from a number of locations, but I’ve found the disks from Klingspore’s Sanding Catalog to be about the best available. I recently added one of Klingspore’s one inch disk units and find it works much better on the inside of smaller bowls and on cleaning up the foot of a bowl after you’ve finish turned the foot or parted off from the waste block and are simply cleaning it up a bit without re-chucking to turn the foot.

About a year ago, Vic Wood was here in Washington from Australia on a demonstration tour and I purchased one of his hand-held, self-powered rotary sanding units. This unit uses a three-inch disk and is powered by the rotation of the wood. You apply the disk to the rotating wood and it revolves with varying speeds depending upon the diameter, or perhaps I should say the surface speed,

of the wood. This thing really gets up and whistles at times. For many things (outside of bowls, balls, spindle work, etc.) this system works great. It works well on the inside of larger bowls, say 10" and larger. I think this may be because a three-inch disk is too large for the inside of bowls under about 10". Anyway, the rotary sanding disk with interchangeable disk is an excellent way to go. It is quite a bit faster than hand-held sandpaper and, I believe, is less likely to leave scratches in the surface of your turning. Maybe you don’t want to purchase a rotary sander unit; you would rather use flat sandpaper. Ok, here’s what I do. I cut the paper into strips around 2-1/2 to 3 inches wide and fold the strips into 1/3rds.

This technique, I picked up from Richard Raffan, but I believe most turners use the same idea. Paper folded this way simply works better, but it sometimes burns your fingers. I use a piece of foam rubber about 2" to 2-1/2" square as a backer between the sandpaper and my fingers. This keeps the heat away from my fingers and, I believe, does a better job on the surface of the bowl or other turned object. Others use a thin piece of soft leather as a cushion and heat insulator. This works pretty well, but I’m partial to the foam.

Ok, we’ve selected a sanding technique--all of those described above will eventually get the wood smooth. Now what? Let’s start sanding. Normally, I start sanding with the finest grit that will smooth the surface of the turning. Sometimes you start sanding and find that you can’t get out all of the flaws with that grit of paper, then you go back to a coarser grit. If the wood has been exceptionally stubborn and the turned surface is not level; i.e., there are high and low areas caused by chatter, poor chisel technique, excessively heavy scraping, etc.; the sandpaper needs to be fairly coarse, 80 grit, 60 grit, or even 40 grit. You can do a lot of shaping with 40 grit sandpaper, but you can also put in some real deep and hard-to-remove scratches. If I can’t sand clean quickly with 100 grit paper, I suspect that I need to go back to the turning tools if at all possible and I often do so. When turning with a skew, I generally try to start sanding with 240 grit paper to simply sand off the little ridges that I may have left with the tool. Often the surface left by a skew chisel is best burnished with a hand full of shavings and left as is.

Use the piece of sandpaper of a particular grit until the surface is as smooth as that sandpaper is likely to make it and until all of the scratches made by a coarser grit have been removed. Then, move to the next finer grit. By having the sandpaper folded in thirds, you have three fresh surfaces to work with and the piece folded inside has grit against the back of the out-fold and helps hold it in place. I generally like to start with 100 or 150 grit, move to about 180 grit, then 220 or 240 grit, then to 320 grit and finally to 400 grit. On some woods, I can start with 240 grit and then jump to 400 grit and then to 600 grit with excellent results. Woods such as Ironwood, Lignum vitae, Red Heart, Ziricote, Cocobolo, and other exotics or very hard woods can generally be sanded this way, starting with 240 and going to 600 grits. It really doesn’t matter whether you are using hand held sandpaper or rotary sanding devices, the grit levels should be about the same. A handful of fine shavings held against the rotating surface will burnish an already smooth surface to simply make it shine. I’ve also used 0000 grade steel wool to good advantage at this point. This will burnish the surface to a shine. The better the shine from sanding and polishing, the better the finished piece will look.

Ok, you’ve done all of the damage you can do with the sandpaper. We hope you haven’t eliminated any of the details of the turning, rounded over any corners that should have remained sharp, or done any damage to the overall appearance of the piece. Remember, sanding is to make it smooth and make it look better, not to change its shape. Personally, I would rather leave it a bit rough than ruin the shape with heavy sanding. Now, it’s time to seal the surface.

Sealing the Surface

Getting to this point varies greatly from turner to turner and going beyond here has an even greater variance. It seems that everyone has something different that he/she likes to use to seal the surface of their turnings. On the one side is a simple oil finish, applied, allowed to soak in, wiped off, and then burnished with a rag. Here, the variations are in the oil used as well as each turner’s needs to try all of those nontoxic oils to come up with the one that works best for them. Oils like Tung Oil, for example, have a lot of other things in them: hardeners, varnishes, etc. I use peanut oil on many items I turn, especially if they are for use in the kitchen. I make wooden spatulas and always finish these with peanut oil, which is much cheaper than “Preserve”, but doesn’t dry as quickly. I simply flood the surface and rub it in as much as possible. (Some production turners will have a tub of oil, such as mineral oil, and will throw the piece into the oil when it comes off of the lathe. They will let it soak for half and hour or more before wiping and lightly buffing.) I let it soak for a while and then wipe off the oil and buff it with a soft cloth. You can have a fairly shiny surface if your wood was shiny before you applied the oil. Sometimes, the oil will seem to raise the grain of the wood. When this happens, I like to cut it back with 400 or 600 grit wet/dry sandpaper with the sandpaper dipped in oil. When done sanding, wipe and buff. I also use this finish on my spinner tops. The oil brings the wood to life and is nontoxic in case the top goes into a mouth. Tops don’t need a high gloss finish, because they are going to be used and abused. A gloss finish would look worse than an oiled finish in a very short time.

Wax Finishes

I’ve used a number of different waxes from straight beeswax that came from a friend who kept bees to auto paste wax. The best I’ve used is a beeswax-based product called Clapham’s Salad Bowl Finish. The Clapham family are Canadian bee keepers who looked for a use for their excess beeswax. They came up with a number of products, the two of most interest to woodturners or other woodworkers is their Clapham’s Beeswax Polish, which I like to use as a sanding medium when I’m approaching near finish sanding and I’m planning to finish with wax. I apply the Clapham’s Beeswax Polish and then sand. Do this the last two or three grits of sandpaper and you have an ultra smooth finish. Apply one more coat after all sanding and buff off. Then apply a coat of Clapham’s Salad Bowl Finish and buff to a shine. This makes an excellent finish for salad bowls if you don’t want to use oil and it will give you a much higher polish than you can ever get with just oil. These people also sell block beeswax if you wish to use pure beeswax for some purpose.

French Polish

In one of her videos, Bonnie Klein tells how to make up a mixture that provides a near French Polish when applied. I use this finish on all of my bottle stoppers and on small bowls. I haven’t had real good luck using it on larger bowls. This finish is made up of shellac, alcohol, and linseed oil, equal parts of each. I use commercially mixed shellac, rubbing alcohol, and boiled linseed oil. Shake the bottle before applying. Apply enough to soak into the wood and then, with the lathe running, buff in the finish using the wet part of the rag. I then shift to a dry area on the rag and buff dry. I then use 400 or 600 grit wet/dry sandpaper or 0000 steel wool to lightly take off any whiskers. Then I apply the wet area of the rag again to essentially give the piece a French Polish. It works really well on small items like bottle stoppers and small bowls. The higher the polish of the wood before applying the finish, the higher the gloss after French Polishing. I read somewhere about one turner who sands his work to a high gloss and floods the surface with Red Label Hot Stuff CA Glue. He allows the glue to set naturally, no accelerator, and then sands with 400 or 600 grit or finer. Then he applies the French Polish to obtain a super high gloss finish that is impervious to water, alcohol, etc. That sounds like a rather expensive finish, but then it depends

upon how much you are selling your work for or whether you are simply turning it for your own use. In either case this is a possible way to really get a fine finish. You must always remember when working with CA (super glue) that you can glue your fingers together or to something else including the workpiece or the lathe. Keep the special CA glue solvent handy, just in case.

Varnish, Lacquer, and all of those Other Things

I don’t personally care for the painted on or sprayed on finishes, although I do occasionally use them. I’ve used spray on clear Deft with some good results, but the fumes for this stuff makes it hard for my wife to breath and it stays with the piece for several days. I was always afraid that it might give a customer breathing problems, too. We don’t want any lawsuits! This caused it to be eliminated from my list of possibles. I’ve used Durathane on a few pieces with some pretty fair results. The spray on kind works better for me than brush on stuff. I apply this stuff in a light coat, and sand it away with 600 grit sandpaper and 0000 steel wool the following day. Then another coat and repeat the sanding away. I do this for four or five applications over a week’s time and leave the last coat as sprayed. Makes a very shiny bowl that looked like it had been dipped in clear plastic to me. But people stood in line to buy one of my pieces finished this way--a 10-inch natural edge bowl made of maple. It was sold at an art show this spring. At least six people wanted to buy it. Obviously, I priced it too low!


More Woodturning Magazine
Events Calendar Listing - May - July 2017

May 11, 2017 to May 13, 2017 Utah Woodturning Symposium SYMPOSIUM Location: Orem, UT Dates: Thursday, May 11, 2017 to Saturday, May 13, 2017 Description:

Over a three day period you will have the opportunity to learn from many of the industry’s top professionals, to ask questions, to engage and to expand your knowledge. You will also have a chance to meet new woodturners, catch up with old friends and have a great time participating in the evening activities we have to offer. Website:

June 22, 2017 to June 25, 2017 AAW's 31st Annual International Symposium SYMPOSIUM Location: Kansas City, Missouri Dates: Thursday, June 22, 2017 to Sunday, June 25, 2017 Description:

The conference will bring together more than more than 1,500 turners from around the globe to learn, share, and celebrate the art and craft of woodturning making it the largest woodturning event in the world. Read more of the description on the web page. Website:

July 15, 2017 to July 16, 2017
UK and Ireland Woodturning Symposium
Location: Coventry, UK
Dates: Saturday, July 15, 2017 to Sunday, July 16, 2017

This two day symposium is sponsored by a not-for-profit organization promoting woodturning throughout the UK and Ireland.


"Creativity Is Allowing Yourself To Make Mistakes.

Art Is Knowing Which Mistakes To Keep."

Happy Turning


Club Sponsors



PRESIDENT:  Stan Lambert  (406)348-3499
Tim Morgan (406)969-1982
SECRETARY:  Nick Enslander (406)259-6762
TREASURER:  Leona Gipe (406)248-1664
Librarian: (
Dr. Van) Richard Vande Veegaete (406)245-9945
Jane Kelly (406)259-3840
Technical Advisor: Newsletter & Website Editor: Paul Spencer (406) 861-6718
Web Site:

One Good Turn” is the monthly newsletter of Yellowstone Woodturners

Yellowstone Woodturners Club

PO Box 21836

Billings, MT 59104

A local chapter of the American Association of Woodturners.


Map to Meeting Location


Yellowstone Woodturners

Symposium 12


Dennis Liggett

September 30th and October 1th, 2017

Roaring 20'S Auto Clubhouse

7400 Grand Avenue

Billings, Montana

Cost of Symposium (Discounted if Paid by September 13th) $90

Cost of Symposium (If Paid after September 13th) per person $100

Cost for single day - Saturday or Sunday (per person) $75